This a branded tune-in for Despicable Me and The Deadliest Catch that I work on at Impossible in Denver. We were commissioned by Discovery Channel to created a series of vignettes and tune-ins promoting both the movie and shot. This was a huge team effort and the entire process was completed in a week and a half. My role in the workflow was compositing the Despicable Me characters into the video plates of Deadliest Catch that were shot in Seattle. I also animated other graphical elements in the scene. Other credits include: Creative Director – Joel Pilger, Design Director – Hector Espinosa, Compositing/Animation – Ryan Mast, Editing – Jen Casson, Producer – Abigail Seymour.




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This a branded tune-in for Despicable Me and The Deadliest Catch that I work on at Impossible in Denver. We were commissioned by Discovery Channel to created a series of vignettes and tune-ins promoting both the movie and shot. This was a huge team effort and the entire process was completed in a week and a half. My role in the workflow was compositing the Despicable Me characters into the video plates of Deadliest Catch that were shot in Seattle. I also animated other graphical elements in the scene. Other credits include: Creative Director – Joel Pilger, Design Director – Hector Espinosa, Compositing/Animation – Ryan Mast, Editing – Jen Casson, Producer – Abigail Seymour.




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This is a recent commercial for Ford F-Series that I worked on while on staff at Impossible in Denver. The spot was commissioned by the folks at JWT, who are always fun to work with, and was created in three days. I created the animation in Cinema 4D and After Effects.  Credits: Impossible and JWT. Editor – Jen Casson, Design Director – Hector Espinosa.




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I was recently hired by Goodlookin in NY to help out with a quick 15 second promo for MTV Unplugged , Starburst and the band Phoenix. Goodlookin was responsible for the After Effects animation and compositing, while I created the 3D animation and camera moves in Cinema 4D.  There was a very short two day turnaround, but as always it was great working with those guys.




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This spot was produced for Cover Girl by the wonderful folks over ar Goodlookin in NY. They provided me with greenscreen shots of models delivering their lines. I worked in Cinema 4D to develop the camera moves and background worlds, which were then handed back for compositing and final animation.




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This spot was produced for Cover Girl by the wonderful folks over ar Goodlookin in NY. They provided me with greenscreen shots of models delivering their lines. I worked in Cinema 4D to develop the camera moves and background worlds, which were then handed back for compositing and final animation.




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This spot was created while working at Impossible. Ad agency Leopard called on the company to create a motion graphic and informative introduction to the world-wide launch of the Power 7 Processor Series. The animation was created by myself and Hector Espinosa in just over a weeks time.



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I worked on the design, compositing, 3D, and vfx aspects of the job along with Hector Espinosa. Vance Gerard edited the Montage posted. Other credits include Joel Pilger (Creative Director), Brian Eloe (Senior Editor), and Julie Morrandez (Producer).




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